Linus Van Pelt and Charlie Brown.
A Boy Named Charlie Brown, 1969

translated:


  YOU EXIST. BE AS SELF INDULGENT AS YOU CAN. DON’T THINK TOO MUCH. BAD SITUATIONS ARE EASY TO CHANGE AND IF THIS ISN’T TRUE FOR YOU, DON’T GET LOSER GERMS ON THIS SIGN. MY EVERY THOUGHT IS SO DEEP. IF YOU ARE YOUNG, ATTRACTIVE AND PRIVILEGED, LOVE IS EASY. NO FATTIES, NO OLDSTERS, NO HOBOS. NOTHING IS COMPLICATED WHEN YOU CAN BUY WHAT YOU WANT. DIFFERENT TYPE SIZES CAN MAKE APHORISMS PROFOUND. EAT RAINBOWS, SHIT STARS. ASK THE NEXT PERSON YOU SEE HOW DESPERATE THEY ARE, AND SHARE YOUR DESIRE TO HUNT THEM FOR SPORT. TRAVEL OFTEN; TOURISM IS AN ADEQUATE SUBSTITUTE FOR DEPTH. IF YOU ARE UNHAPPY, IT’S PROBABLY BECAUSE YOU MISSED YOUR CHANCE AT AWESOME. LIFE IS BEING BORN ON THIRD BASE AND ACTING LIKE HITTING A TRIPLE IS SIMPLE. HANG ON TO THOSE DREAMS, IT MAKES IT EASIER TO SELL YOU. LIFE IS SHORT AND BRUTAL IF YOU CAN’T AFFORD TO LIVE A WINSOME CLICHE. WELCOME TO HELL.


(found on jwz.org)

translated:

YOU EXIST. BE AS SELF INDULGENT AS YOU CAN. DON’T THINK TOO MUCH. BAD SITUATIONS ARE EASY TO CHANGE AND IF THIS ISN’T TRUE FOR YOU, DON’T GET LOSER GERMS ON THIS SIGN. MY EVERY THOUGHT IS SO DEEP. IF YOU ARE YOUNG, ATTRACTIVE AND PRIVILEGED, LOVE IS EASY. NO FATTIES, NO OLDSTERS, NO HOBOS. NOTHING IS COMPLICATED WHEN YOU CAN BUY WHAT YOU WANT. DIFFERENT TYPE SIZES CAN MAKE APHORISMS PROFOUND. EAT RAINBOWS, SHIT STARS. ASK THE NEXT PERSON YOU SEE HOW DESPERATE THEY ARE, AND SHARE YOUR DESIRE TO HUNT THEM FOR SPORT. TRAVEL OFTEN; TOURISM IS AN ADEQUATE SUBSTITUTE FOR DEPTH. IF YOU ARE UNHAPPY, IT’S PROBABLY BECAUSE YOU MISSED YOUR CHANCE AT AWESOME. LIFE IS BEING BORN ON THIRD BASE AND ACTING LIKE HITTING A TRIPLE IS SIMPLE. HANG ON TO THOSE DREAMS, IT MAKES IT EASIER TO SELL YOU. LIFE IS SHORT AND BRUTAL IF YOU CAN’T AFFORD TO LIVE A WINSOME CLICHE. WELCOME TO HELL.

(found on jwz.org)

Storytelling comes naturally to humans, but since we live in an unnatural world, we sometimes need a little help doing what we’d naturally do.

Draw a circle and divide it in half vertically.

Divide the circle again horizontally.

Starting from the 12 o clock position and going clockwise, number the 4 points where the lines cross the circle: 1, 3, 5 and 7.

Number the quarter-sections themselves 2, 4, 6 and 8.

Here we go, down and dirty:

  1. A character is in a zone of comfort,

  2. But they want something.

  3. They enter an unfamiliar situation,

  4. Adapt to it,

  5. Get what they wanted,

  6. Pay a heavy price for it,

  7. Then return to their familiar situation,

  8. Having changed.

Start thinking of as many of your favorite movies as you can, and see if they apply to this pattern. Now think of your favorite party anecdotes, your most vivid dreams, fairy tales, and listen to a popular song (the music, not necessarily the lyrics). Get used to the idea that stories follow that pattern of descent and return, diving and emerging. Demystify it. See it everywhere. Realize that it’s hardwired into your nervous system, and trust that in a vacuum, raised by wolves, your stories would follow this pattern.

Dan Harmon